The good folks behind GDC Online, a professional conference for connected gaming, commissioned me to create a game for Web Wise Kids. Web Wise Kids is a really cool non-profit that provides curriculum materials and classroom video games for parents and teachers that focus on teaching kids to be their own first lines of defense against digital threats. They help prepare kids to avoid online bullying, viruses, and dangerous adults by teaching them how to safely surf the web and use other digital technologies. They use their own games to educate kids and encourage safe behavior without a lot of fear-mongering. You can donate to Web Wise Kids here.

I tried to make this game communicate a concept about how to protect kids by using game mechanics. I’m usually a story-focused person, but game rules are a great way to make a statement about the way the world works. I hope that you’ll play the game until you win, get the message I was trying to convey, and maybe even donate to Web Wise Kids!

Play “Passing the Ball” at GDC Online.

I go back and forth on pixel art. A lot of people regard it as amateurish: a way to compensate for lack of drawing ability. Others dismiss it as nostalgia for childhood games. I think that there’s bad pixel art and amazing pixel art, and while there’s definitely nostalgia there, that very nostalgia can be useful for artistic purposes. My own pixel art isn’t anywhere close to the quality that many artists achieve, of course, but I think it’s passable for my purposes.

Pixel art is visual video game shorthand for an array of things: childishness, simplicity, or even a sort of wisdom born from history. It’s also the video game equivalent of cartooning. Pixel art stylizes and pointillizes, making its subjects more universal and accessible. It’s also a deliberate acknowledgement of the artificiality of the device being used. In a time where the iPhone’s Retina display resolution is at the upper limits of the human eye, pixel art exposes the underlying structure of the screen.

Anyway, enough rambling. Check out the interview, and read some of the other stuff on the site; there are a lot of cool things there! He also included some previously-unseen pieces of concept art and miscellany behind a link at the end of the article, if you’re interested.

F.E.A.R. was an odd game for me. The shooting part was fun and pretty and it was just the right amount of difficulty (or sometimes a bit too hard), but the rest of the game was… not very interesting. The horror elements rarely grabbed me, the story was almost pastiche, and the dramatic twists were clear to me after the first level. That’s not even bringing up one of the most offensive video game characters in recent memory. Hey, it’s a fat guy! And he’ll get bumbling clown music! And you’ll know that you’re about to meet him again when you see food wrappers scattered around. Seriously.

So while F.E.A.R. is technically advanced for its time and well-designed from a gameplay perspective, I was ready for it to be over about halfway through. And that’s never a situation you want a player to be in.

I loved you once, split-toed dirt-swimmer. These idols are the bones of wonders. Why should the sun claim the land any more than the sea?

Play Beneath the Waves at Armor Games.

Read the rest of Beneath the Waves Released...

Morning again. Time to check the beacon.

You can play “A Ride Home” at Kongregate. Give it a rating if you like it!

3D is an interesting tool to work with. Unity is an amazing tool and its free version is totally worth checking out for anyone interested in dipping their toes into 3D. EDIT: This game was made entirely with the free version, along with free tools like Blender, GIMP, and Audacity.

Check out the interview on their site.

I enjoyed the interview, and I like doing interviews in general. They make me think about what I’m doing and how I’m doing it, and often my answers are a bit of a surprise even to myself. If you want to interview me for something, like your church newsletter or your Fortean literary periodical, you’re welcome to e-mail me at Gregory.Weir@gmail.com.

It’s Tia’s birthday, and she’s looking forward to beating all of her friends with the new card her dad gave her! Beat the other kids by choosing the right cards, and earn more cards until you’re the best of them all!

And don’t go into the woods, or the guards will kill you.

The game is an experiment in orthogonal goals.

Play “The Day” at Armor Games.

After a long journey, you will reach the Narthex, the waiting place before the oracle. There you must wait until your time. Then you will be given the answer to a single question. This game has two endings. The second is not worth getting.

Play “Narthex” at Ludus Novus.

Morim woke up with his lungs burning. His whole body was cold. His joints were stiff, so stiff that he couldn’t move. He struggled to remember, to somehow grasp with his mind where he had just been, to hold on to some detail. But there was nothing.

“That one was the hardest yet,” a voice said. “You almost stayed dead this time.”

Read “The Latest Death of Morim” here.

At that link above, you can see footage of an interview he did with me, Anna Anthropy, Daphny, and Amon26. Spinach is a cool guy and he’s trying to get some exposure for a bunch of folks who I’m really interested in learning more about. He needs your help to do it, so go and pledge to donate on his Kickstarter page.

Of course, there have been several other awesome IF pieces released this year. I need to play more of them myself before I can make a proper decision.

Before we have memory, before we know what this world is, we dream. Babies dream of what came before, of universes that are no longer there. Babies dream of dead worlds.

Play Babies Dream of Dead Worlds on Newgrounds.

This game is a sort of surreal platformer, I suppose? It’s a bit hard to describe. It’s developed using Flixel, and tells the story of three siblings at the end of a world very unlike this one.

I resolve to post at least once each week on this blog. Posts could be game discussions, tabletop RPG summaries, podcast episodes (that’s right, I have a podcast!), or something else. If I’m especially busy, they could just be one or three preview screenshots of what I’m working on. Note that The Absolute Sum of All Evil comics do not count for this resolution. They’re weekly, but I drew the comics years ago, so that would be cheating.

If all goes according to plan, I should have over 100 new posts this year, including comics. Wish me luck!

My final game of the year is done, and boy did I delay it to the last minute. “Procrastination” is an abstract experimental game, my attempt to communicate purely through game mechanics. It’s my tribute to Rod Humble, if you must.

Play “Procrastination” at Ludus Novus.

Astute fans will notice that I have only released eleven games this year, despite my resolution to do a game a month. Fear not; the twelfth game is done, but “Babies Dream of Dead Worlds” will wait until it is sponsored before it gets released. Does it still count? Sure it does. I set the rules for this thing.

My other work-in-progress, the procedurally generated metroidvania with the working title of “Millions of Space Stations,” will be released in early 2010.

In the process of creating a fantasy setting for my roleplaying system LORE, I’ve been playing with a lot of world-building elements: cosmology, racial influences on culture, magic, spirits, and the like. A great way for me to get a feel for these elements and how they fit together is to write a story about them.

This story is called “Brea’s Crossing,” and it’s about the dangers of caravan travel, dueling, and leylines. Let me know what you think in the comments to this post. I’ll likely be releasing more stories in the future.

Read “Brea’s Crossing” here.

The Prosperity Commission transportation facilities are designed for the utmost safety and reliability. They are equipped with weapon dampening fields, highly-trained security forces, and four redundant computer cores. You are the third backup computer core for a facility under construction. You should never have to wake up. Something is wrong.

Download “Backup” from Ludus Novus.

To play the .zblorb file, you will need a Z-machine interpreter, which is like a media player for interactive fiction. If you use Windows, I recommend Gargoyle. If you use Mac OS X, I recommend Zoom. If you use Linux, I recommend the Linux version of Zoom.

This game is heavily inspired by Gun Mute. It is a (potentially) violent piece of interactive fiction with multiple endings set in a science fiction world of robots, plasma swords, and intergalactic finance. I’ve attempted to create something that rarely occurs in interactive fiction: a game that requires tactical thought as a challenge rather than puzzle-solving. In-game instructions and hints are available by typing HELP in-game. “Backup” is written in Inform 7. Let me know what you think in the comments!

Well, that didn’t take long. My August game, The Mold Fairy, is released. It’s a game about mold, magic, and death.

Once upon a time, there was a fairy for everything. One for frost, one for cobwebs, one for dew… and one for mold. When the fairy queen Titania decided that humans had lost their respect for mold, the mold fairy was sent down to teach them the power of the fuzzy fungi. Did the fairy brighten the humans’ lives, or curse them with poisons and spoiled food? Only you can decide.

Play The Mold Fairy on Armor Games.

This is a game in the vein of “Majesty of Colors” and How to Raise a Dragon; there are choices, and they affect outcomes. In this case, the choices are what to mold, and the outcomes run the gambit. This is my most explicit use of the “achievement” concept so far; I think it works for this sort of game.

Let me know what you think of The Mold Fairy!

My September game, “Paladin 0,” is released. It is a three-day prototype about virtue.

VIRTUE IS INSUFFICIENT. DESTROY EVIL. AVOID CORRUPTION.

Play “Paladin 0″ on Ludus Novus.

Astute readers will notice that there appears to be a monthly game missing. My August game, The Mold Fairy, is finally complete and should come out very soon. Hey, I’m willing to bend the rules of my New Year’s resolution if you are.

“Paladin 0″ is, in part, an experiment using the Flixel framework, which is a library designed to help with making pixelly games in Flash. It is very slick, as you can see from the amount I was able to achieve in just three days of work. If all goes according to plan, my October game will be a procedurally-generated Metroidvania done with Flixel.

If you like the music in the game, it’s available through Creative Commons and is part of Ozzed‘s album Lesser Than Three.

My July game, Silent Conversation, is released. It is a game about reading.

Read carefully. Run and jump through the text of stories and poems, from the horror of Lovecraft’s “The Nameless City” to the simple beauty of Bashou’s frog haiku. Go for completion or race through the pieces you’ve mastered!

Play Silent Conversation on Armor Games.

This game grew out of an idea that I had in childhood. I was a voracious reader, and occasionally, late at night, I would see the structure of the words on the page as something physical: the end of a paragraph was a fissure in a cliff edge, and each indentation was a handhold. I could visualize a little person running along the lines, exploring every crevice of the story. This is an attempt to realize that concept.

Here’s another preview:

Have I mentioned how much I like exploration platformers? The new game, Phenomenon 32, will be out sometime soon, it seems.

In case you (like me) don’t read Italian, I’ve included the original English questions and answers below. A warning, though: this is just copied from our correspondence, and hasn’t been edited by them, so any mistakes are mine and it may not match the Italian version perfectly.

Read the rest of Interview with IndieVault.it...

As I was going back to get the game ready to post on other portals, I put in a few updates. I made it possible to create a Fiery Watcher in-game, added Y as an alternative jump key for my QWERTZ friends, and added a new behavior that really should have been in there all along. These updates are present in the ArmorGames version. I’ve put up a copy here on Ludus Novus and one on Kongregate. Other portals will follow once I work out some difficulties with a new ad provider.

One work I didn’t discuss in the column, because it seemed a bit incestuous, is my recent IF piece, The Bryant Collection.
Read the rest of The Video Game Album...

My June game is finished. It’s called How to Raise a Dragon, and it’s a game about dragons, humans, and eating things.

The dragon: a majestic and complex beast. How is it born? How does it live and die? Magus X. R. Quilliam’s definitive work, How to Raise a Dragon, describes all that is known about these great creatures.

Play How to Raise a Dragon on Armor Games.

L4D is such an astonishingly complex game. So much more can be said about it, and I expect to get at least one more post out about how the weapons all work together. This is a game that, like Portal, has clearly been fine-tuned and adjusted to a glossy finish. But while Portal was cut down and simplified to make it a smooth, well-crafted ride, L4D was cut down to a tangled knot of gameplay interactions, making it this chaotic, complicated, minute-to-learn-and-lifetime-to-master enigma of a game.

This world is not as it should be. There is no truth. Reality is what we believe it to be. If you think you can fly, then that flight is real to you. Others may see you plummet and die, but you might live on, soaring above the clouds. Anyone can dream, but it takes someone special to make those dreams real.

Here is the release of my May game: LORE, the Lightweight Omnipotent Roleplaying Engine, and its first sourcebook, Belief. Together, they form my first tabletop roleplaying game system.

LORE is an attempt to address some of the common problems with tabletop RPGs. It has an interesting dice system; a quick, easy, and original character creation system; and a system that’s lightweight, because roleplaying happens beyond the rules.

Belief is a game about changing reality, about subjective viewpoints, and about the search for a better world. It owes heavy debts to other sources, but it is its own being.

Download LORE and Belief.

Both of these books are beta releases. They have been playtested, but not enough for me to say they’re finished. Please, read them, play them, and comment with anything you think I did especially right or that I could change for the better. I’ve provided them in bookmarked PDFs slavishly laid out for optimal printing at your local print shop, and they’re released under a Creative Commons by-nc-sa 3.0 License.

These are just the initial releases; I wanted to get them out and in people’s minds so that I could start getting feedback. Expect extras like quick reference sheets and maybe an adventure or three in the coming weeks and months.

Check it out if you have been looking for more Exploit action.

My game for March is out! It’s called “Sugarcore,” and it’s a game about bullets, naturally-occurring candy formations, and the hazards of gardening.

Find out where sweets really come from as you mine licorice, demolish candy orbs, and defend confections from attack! Three quirky characters guide you through 18 levels of sugary goodness.

Play “Sugarcore” on Ludus Novus

Whose Fault is That bills itself as having “interviews with wonderful people,” and they really do. Joe Bernardi and David Cole have interviewed interesting people, from cartoonists to photographers to musicians. They seem to think I’m wonderful, too, and put up an interview where I talk about Knytt and learn that my too-seldom-updated podcast has a stream-of-consciousness feel.

Good Game Get! is a blog that talks about video games in a pleasantly NGJ way. In this interview, I discuss upcoming games and my unhealthy month-long obsession with the Stargate franchise.

In other news, I’m going to be attending the Flash Gaming Summit in San Francisco. “The Majesty of Colors” is up for an award there, and there should be some interesting panels. The topics are all business-focused, which is a little disappointing to my game-designer-and-analyst heart. But hey, I also like eating, so I think the panels will be useful.

The Orange Box wins in my book for best characters in a 2007 video game package. Alyx and Eli Vance, GlaDOS, and the TF2 cast together are an amazing accomplishment, especially when you realize the games were released on the same day by the same company.

086: Seeing Red

Thanks in part to a rush from Armor Games, “(I Fell in Love With) The Majesty of Colors” has been played over 1,000,000 times. I can’t resist big, round milestones, and I remain overjoyed that so many people liked my little tentacle game.

As promised, my February game is finished. It’s called Exploit, and it’s a game about computer security, terrorism, and totalitarian governments.

Information is freedom. As a hotshot computer security cracker, you will solve over 50 puzzles and fight against totalitarianism, abuses of power, and terrorism. Story Mode offers a twist-filled story of international intrigue, and Challenge Mode offers 19 more puzzles to engage the mind. When it’s all done, use the built-in puzzle editor to make and share your own creations!

Play Exploit on Kongregate.

We all knew one. That kid who always told lies about video games. Maybe they knew a cheat code to make Lara Croft naked, or said that something special happened in Sonic if you collected 1000 rings, or that there really was a Carcer City in GTAIII that you had to be awesome to get to. Maybe you were that kid.

Do video game lies arise out of a desire to trick people, or because the liar wants to look cool? We may never know, but we can record all of these lies for posterity. Years from now, historians will be able to observe this unique bit of video game culture.

Because of positive response in a thread I started on the TIGSource forums, I’ve created a wiki at Wikia to record the odd phenomenon of video game lies. The history of video games is poorly-recorded, and this is especially true of the cultural history. The video game liar seems to be a universal experience of people who grew up around video games, and I’d like it if we could better document our experiences with it.

Visit the Video Game Lies database, and browse through the entries or add one of your own. The site’s a bit rough right now, but I’ll try and clean it up when I get the chance.

Read the rest of Update on Majesty of Colors...

Read the rest of Preview of Exploit...

Other games in the awards that caught my eye:

Read the rest of Majesty Wins JIG Art Game Audience Award...

Back at the beginning of the month, I resolved that I would release at least one game each month. January’s is “Bars of Black and White,” a game about barcodes and Orwellian experimentation.

You can’t remember the last time you left your room. When you receive a barcode reader in the mail, you discover that the world around you is not what it seems, and must escape the bars of black and white.

Play “Bars” on Kongregate

Play “Bars” on Ludus Novus

Because of the forum of GSW, I left out a few points that I was tempted to include. Here are a few of them.

Read the rest of Postmortem: “(I Fell in Love With) The Majesty of Colors”...

The satisfaction in releasing a game and knowing that people have played it and enjoyed it is incredible. At the moment, “Majesty of Colors” has been played over 700,000 times. I don’t know if I can duplicate that kind of success, but I know that I can put more of myself out there for people to enjoy if they want to.

So expect something by the end of January, and something each month after that, at least through December. Sometimes it may just be a little piece of IF, but I have bigger ideas in the works, too. Wish me luck!

Read the rest of New Theme for 2009...

I just released my latest game, “I Fell in Love With the Majesty of Colors.” It’s a pixel-horror game that puts the player behind the tentacles of a titanic, writhing sea creature. “Majesty” is a tale of love, loss, and balloons with five different endings.

Read the rest of The Majesty of Colors Released!...

I’ve got another game, Sugarcore, up for bidding at FlashGameLicense.com. I’ve gotten no sponsorship bids or feedback on it there, which is a bit disappointing, as I think it’s a much better game than Necropolis. Still, it’s only been up two weeks, and the sources I’ve consulted suggest that it can take a month or more to get a bid. I’ve got my fingers crossed. If you happen to run a Flash portal interested in sponsoring a game, or if you’re an eccentric millionaire with a penchant for candy, let me know.

My next game, (I Fell In Love With) The Majesty of Colors, is in development. It’s coming along slowly, but I should hopefully finish it by the end of the week. You can see a mockup of the graphics here; it already looks a bit different from that, but the general look and feel is very close to the original concept in that image.