In this episode of the Ludus Novus podcast, I discuss the election and GamerGate and how we can make a difference with games. I start with an excerpt from Austin Walker’s recent, amazing piece “A Note on Trump, Waypoint, and Why We Play.” I move on to discuss mirror neurons, Gone Home, my presumptuous racial awareness thanks to Grand Theft Auto: San Andreas, my plans to survive violent abuse, and the power of games to promote compassion.
The Ludus Novus podcast is supported by my patrons. To help, please visit my Patreon.
The theme music is “A Foolish Game (Vox Harmony Adds)” by Snowflake, Admiral Bob, and Sackjo22, available on ccMixter under a ccby3.0 license.
My partner Melissa and I have started a new project: a monthly podcast called Audacious Compassion about how to demonstrate empathy in difficult everyday situations. The first episode, “Go Buy a Caddy,” is up and you can subscribe via RSS or iTunes. You can even rate us five stars on iTunes if you like!
Continue reading Audacious Compassion Podcast
In this episode of the Ludus Novus podcast, I discuss incremental games, also known as idle games or clickers. How did a formula that started as satirical jokes from people like Ian Bogost yield things like A Dark Room? Games discussed: Cow Clicker, Progress Quest, Candy Box, Cookie Clicker, A Dark Room.
The Ludus Novus podcast is supported by my patrons. To help, please visit my Patreon. The theme music is “A Foolish Game (Vox Harmony Adds)” by Snowflake, Admiral Bob, and Sackjo22, available on ccMixter.
This podcast is supported in part by my Patreon. You can help support it by pledging a monthly donation.
In this episode of the Ludus Novus podcast, I discuss the decisions we make as game designers and developers and how we are responsible for every aspect of the games we make. I touch on polishing, social justice, and emergent aspects of games.
Continue reading Ludus Novus 024: Decision Point
In this episode of the Ludus Novus podcast, I discuss the search for the perfect game and the creation of universes.
When I search through my Steam library and I look for that game, that perfect game, the perfect experience that matches the mood that I am in right that moment, I’m playing a game with the entirety of my library: the entirety of games as a medium.
The music for this episode is “Progress” by mystified from the album Fractal Diner 3. It’s available under a ccby2.5 license.
Let me know what you think in the comments.
In this episode of the Ludus Novus podcast, I present a new game, “Countdown,” in spoken word form. Trigger warning for self-injury.
Countdown: A Game For Two Players
The rules are arbitrary in the wherever,
but here, in this circle, they are real.
Of course, this membrane is porous.
It flutters and flows and lets pass
certain realities and unrealities.
The game isn’t the same if the world changes.
And games can change your world.
But the magic circle creates a promise of escape.
At any time, you can step outside the circle.
At any time, you can make this stop.
The music for this episode is “Third Moment – A Road Through the Forest” from Three Moments by Darrell Burgan. It’s available under a ccby3.0 license.
Any feedback is welcome in the comments.
In this episode of the Ludus Novus podcast, I discuss achievements and how there are a lot more aspects to them than are immediately apparent.
The music for this episode is “The Temple” by Out of Orion and is available under a Creative Commons Attribution-NonCommercial-Sharealike License.
This podcast is certainly not a complete discussion of the topic, so please leave any input or feedback in the comments section.
In this episode of the Ludus Novus podcast, I discuss the basic minion summoning and equipment mechanics of Overlord, and how they both encourage tactical gameplay and maintain the characterization of the player character.
The music for this episode is from “medieval evil” by Baal Anamelech and is available under a Creative Commons Attribution-Sharealike 3.0 license.
This podcast episode is about an unreleased game from 1990 that a guy showed me at GDC. It’s called Awesome Zone, and it was created by developer Theodore Alby for a company called KnowSoft over the course of a six-week nervous breakdown.
The music for this episode is from “Three Goes On Forever” by Time Slips By, and is available under a Creative Commons Attribution-NonCommercial-Sharealike License as part of the compilation Ctrl-N.
This podcast episode is about three games that should have been named Half-Life 3: Episode 1, Unreal Tournament 4, and Star Wars Dark Forces 3: Jedi Knight 2: Jedi Outcast: Jedi Academy.